Takashi Homma traveled to suburbs in and around Tokyo, where he photographed the not-so-photogenic objects like apartment complexes or parking lots. A photo critic in Archis observes:

“…Beyond the apparent frivolity and mischievousness, there is another, unironic, message: that everything — that is, every thing — has potential aesthetic properties. In this sense, perhaps the best point of reference for these photographs is John Cage’s composition 4′ 33″; scored as silence, it requires the listener to pay close attention to a random slice of environmental noise. Homma works with a similar arbitrariness — he could have pressed the shutter half an hour earlier or later.”