Rinke Dijkstra’s The Weeping Woman, was initially inspired by the ways in which school groups discuss art works on display at Tate Liverpool.
The schoolchildren are in a serious discussion regarding the meaning of Picasso’s painting. Unlike a conventional portrait in which the subject looks at the camera, they are engaged with each other, visually disconnected from the viewer.
Film still from “The Weeping Woman”, Tate Liverpool, 2009 © Rineke Dijkstra
Film still from “The Weeping Woman”, Tate Liverpool, 2009 © Rineke Dijkstra
Film still from “The Weeping Woman”, Tate Liverpool, 2009 © Rineke Dijkstra
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